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User Image rachelglover Posted: Dec 12, 2017 3:09 PM (UTC)

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Experimenting with the 3D scanner back at Uni 🗿 A piece of broken Tarmac #design #goldsmithsdesign
User Image eddbagenal Posted: Dec 11, 2017 4:50 PM (UTC)

1 Sierra
And as the sun sets on another year, final student presentations over, lights out and shut the studio. 2018....ready... #goldsmithsuol #goldsmithsdesign #IFCdesign
User Image soomippp Posted: Dec 8, 2017 8:36 PM (UTC)

1 Juno
Object that supports to walk like someone else

#goldsmithsdesign #project #crit 1.2. #object #entanglement
User Image soomippp Posted: Dec 8, 2017 8:29 PM (UTC)

0 Juno
The entanglement of MK trasit Van and Tea trolley
#goldsmithsdesign #project #crit 1.2.
User Image goldsmithsdesign Posted: Dec 8, 2017 4:10 PM (UTC)

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Next week, don't miss the joint MA Interaction Design / MA Design: Expanded Practice exhibition MUTAGEN /Musee des Refuses.
St James Hatcham gallery, private view 14 dec, open to the public 15-16 dec
#goldsmithsdesign #studentwork #graduationshows #interactiondesign
User Image _miguelcorreia Posted: Dec 8, 2017 3:48 PM (UTC)

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say no to shameless self-promotion. say no to minimalism. say no to provocation
Come to the first exhibtion of the MA Design Expanded Practice next Thursday 14th December, St James' New Cross. London. SE14 6AD #goldsmithsdesign #madesignexpandedpractice The Musée de Refusés (based on the Salon de
Refusés) is a space (or spaces) in which what is rejected or refused (by the museum, by cultural institutions generally and by society as a whole) may claim attention. There may be many reasons for the rejection; but essentially the ‘refused’ is not considered to be the sort of thing the museum and other societal authorities are looking for―because it is not the kind of thing that is of interest, concern or of use to the museum or indeed society at large … often times determined not to be in society’s ‘best’ interests to have it exhibited.  any rejection is inevitably doubly, and reciprocally, constituted; the thing rejected in its very rejection rejects the authority that rejects it. So when
an ‘authority’ (a museum) with an encysted (insisted) ideol-ogy, through an instituted juridical process, refuses to embrace in and to its constitution what a work is or does, the work, in turn in some way rejects the regular expectations, systems of validation and, ultimately, the constitution of that authority.
User Image goldsmithsdesign Posted: Nov 30, 2017 4:58 PM (UTC)

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Materialisation workshop with MA students, run by studio manager Vinny Montag and alumna Alaa Alsaraji